Monday, March 17, 2008

The Orange, the White, and the Green

Dia daoibh! Howaya?

Sunday at Trafalgar Square was an all-Irish day - right down to the weather. There were light showers all day long, and the sky was overcast without being dark.

I had expected the square to be jam-packed when I reached there about 1 hour into the programme schedule of the St. Patrick’s Day Festival. To my surprise, it was relatively empty. So I checked the schedule again, and it seemed that the 12 Irish tenors and Ann Scott should have completed their respective performances. I checked with one of the security guards, and she confirmed that that was indeed the case.

So where were all the Irish folks? Could it be that they were dissuaded by the gray skies?

I forgot the questions for what turned out to be a very short while as the Celtic Masters took stage for their impressive but ridiculously short-lived clogging performance.

So, again, where were all the Irish? Turned out that they were in the parade that starts at Hyde Park Corner and culminates at Whitehall. It was probably the arrival of the parade that had cut the Celtic Masters’ gig short.

As people started pouring out of the parade and into the square, it started to feel more like a Trafalgar Square festival. That said, I have to say that there weren’t nearly as many people in the square as there were at the Russian Winter Festival.

There were droves of teens and tweens: the most I’ve seen in one place outside of a school. And of course, there were the infectiously enthusiastic and completely dressed up old folks.

It took a while, but as the people started settling in with their beers and whiskey, it was time for speeches.

Mayor Ken Livingston was greeted and treated with such enthusiastic cheers that made me wonder where exactly his opponent Boris's lead in the opinion polls is coming from.

Ireland's minister John Gormley observed, "As the minister for environment, I am happy to see so many green hair in the audience", referring to the lengths people had gone to in order to dress-up for the event.

"10% of people in the world are Irish", he said, "and the remaining 90% want to be Irish!"

He closed his spiel by inviting all the non-Irish people in the square to be Irish for a day, and have a good crack. And that was something everyone was ready for.

To mark the official opening of the festival, balloons with the Irish flag's colors were released. While the orange and white ones flew off smoothly, the green ones had a rogue element among them. This one balloon took the net with it and flew towards the stage with the result that the net got literally stuck in spotlight. When trying to pull the net down didnt help, someone had the bright idea to cut the net. But that left half the net hanging, so ultimately a ladder was pressed into service, and the net was untangled and the baloon released. The lucky Irish indeed!

Joe Brown, celebrating his 50th year in show-business, took the stage with classics like "A Picture Of You", "It Only Took A Minute" and "That's What Love Will Do" as well as his newer works like "I'll See You In My Dreams". He started off on the acoustic guitar, but quickly changed over to the ukulele, and stuck with that through to the end. After every song he’d shake his hands vigorously – it was evident that he was cold and playing the strings with cold fingers was taking a toll. That didn’t stop him from performing with all his heart and he even went on to do some interesting country numbers, which isn’t surprising since he started off fronting the likes of Johnnie Cash and Billy Fury.

A bunch of teens on my left took out a bottle and a flask of whiskey; while a sign at the gates advised everyone to pour any alcohol into glasses before entering in an obvious attempt to check teenage consumption, whoever has ever been able to stop teens from doing what they want to do? They hadn’t even started downing their whiskeys to Joe’s music when a security guard noticed and told them to at least keep it under wraps and be discreet about the consumption.

About midway through his gig, Joe was joined on the stage by John Devine with uilleann pipes and Orlaith McAuliffe with a flute. This brought in the sweet, rustic Irish touch to the proceedings, and quite a few traditional Irish songs followed, with the crowd joining in on many occasions.

To add to the fun, a bunch of kids behind me started to have their own clogging crack.

Joe’s act was followed by the performer known as Luka Bloom (Kevin Barry Moore), whose name reminds one of James Joyce’s Ulysses. Luka used his electro-acoustic strumming to good effect in songs like “I’m not at war with anyone”. Clearly he doesn’t shy away from being political. In fact, most of his songs were about his world view – about harmony, world-peace, environment, and putting a stop to hatred and warmongering.

While the gig was in progress, an old lady tore through the crowd and reached right for the front. She was at least 70 years old, if she was a day and intriguingly had made her way through the crowd with surprising agility for her age.

And then, she mooned Luka. Thankfully, both the singer and the cameras took no notice, and she went back without being manhandled by the security folks.

The next act was Roísín Murphy. Murphy, now a solo act, used to be part of Moloko (which name, incidentally, is the Russian word for Milk, молоко, and is the term used in A Clockwork Orange to refer to milk mixed with narcotics).

She enthralled the crowds with several of her popular numbers, including “Ramalama Bang Bang”, “You Know Me Better”, “Let me know” and “Overpowered”.

Roísín is evidently a major hit with Irish men, and I’ve heard people say that she is one of the greatest vocal talents of our day. While I do like "Sing It Back" a bit, I have say that I was unimpressed by her performance in the square. To me, she seemed more interested and, frankly, more proficient in changing hats and attire than in singing.

The last act of the day was the Dublin-rockers Aslan (Aslan means Lion in Turkish), who probably take their name from the lion in C.S. Lewis's chronicles of Narnia. They were energetic and peppy, and the crowd evidently knew their songs. The audience sang along during almost all their songs, with a smattering of shouts of “IRA, IRA”.

One of the little tweens tapped on my shoulder and asked, “I am unable to see Aslan, and they are my favorite band. Could I please climb up your shoulders for a song or two?”

“Uhh…yeah, sure! Why not? Hop on”.

For the finale, all the performers came together on the stage and sang along with the crowd traditional Irish ballads including “The fields of Athenry” and “When Irish eyes are smiling”.

Click here to check out my pictures from St. Patrick's Day Festival in Trafalgar Square of 16 Mar 2008.
P.S. - There are two pages in this album! If you're not running the slideshow, don't forget to check out the second page :-)

Saturday, March 01, 2008

Mărţişor

Spring is here, said a drop of dew
Spring is here, said Dêmêtêr's statue
Spring is here, and the lady in blue
has woken up, but still in a dream
and walks down in a dress lime-green
whispered the wind as it blew

Spring is here, so where are you?
a songbird asked and then it flew
Earth's desires stifled by winter virtue
erupt through its heart in forms many
sarso, sunflowers, trandafiri galbeni
all bright as sun, beau beaucoup

Spring is here, maybe it's true
The evening sky's taking your hue
Your laugh's verve in brook's revue
And when your smiles my lips grace
bright warm sunshine washes my face
Your fragrance in the air you imbue

Spring is here, I know it, I do
For poems, hopes and flowers too
vie to be as beautiful as you
My wish for you is, plainly said,
May spring kiss your forehead
everyday, all year through

Thursday, February 28, 2008

Ben Nevis, vanquished!

The C10 to Victoria Coach Station was late on Tuesday night. In fact, it was so late, that had I known, I could have walked down from my place and reached the station before the bus. Anyway, I was able to run into the 22:30 bus as it was getting ready to depart. Good thing I opted for the mobile ticket!

The London-Glasgow overnight bus reached its destination minutes late and I "just missed" the 7am to Fort William. The next bus is at 10, meaning it would deliver me there only around 1pm. Not good, considering that the forecasted sunset is for around 5.30pm.

"You might be able to get a train", suggested the girl behind the Scottish CityLink counter, and I took from her directions to the railway station. Once I got to the Central Station, I was told trains to Fort William depart from the Queen's Street Station, which thankfully is a short walk away. At the correct station, it turned out that my train would leave in about an hour and reach Fort William a couple of minutes before noon. Noon is better than 1pm...every minute of daylight is worth it.

So I bought the ticket and walked around the station, clicking a few pictures along the way. Glasgow is a fascinating city - cosmopolitan, modern, and working-class.

My camera's batteries died before I could take the 5th picture, and I replaced them with Duracell Ultra M3 batteries (this would be an interesting little detail later on).

Of course, due to technical trouble the train never departed at the scheduled time, or with the schedules coaches. The one time in my life when I was on time to catch a train, this had to happen! :-) The train finally chugged away about 20 mts late and with only two of the originally planned four coaches, with me inside one of them. This means that I'd need to change over to a conneting train in Crainlarich.

In Fort William, a £5 cab ride took me to the Youth Hostel. On the way there, the driver regaled me with tales of how he does a lot of work for the movies, and how he was the director's driver for the third Harry Potter movie. He told me how the area where we were going is a favorite with movie-makers (Highlander, Rob Roy, Brave Heart, and the Harry Potter movies have been shot in Glen Nevis) because the scenery is beautiful and being a protected area it doesn't have any power cables etc to be edited out later.

They had been having some awful weather for the past week or so but this day was looking good - there was still sunlight at 12:35pm.

Right across the road from the Youth Hostel is the beginning of the ascent to Ben Nevis. The pony track, the sign says, takes most people 7-8 hours to complete, though the record stands at about 90 mts, accomplished during the Ben Nevis race, which is organized every summer. The scramblers' path, I hoped, would be somewhat shorter.

Ben Nevis is the highest mountain in the British Isles, which makes it sound impressive. Ben, of course stands for Mountain, while Nevis is a Gaelic word that can be translated as either Clouds or Poisonous. Thus, Ben Nevis has been variously described as the "Mountain with its head in the clouds" and the "Poisonous mountain". This adds a certain mystique to it. However, as I've been telling everyone who'd care to listen ever since I decided to climb it a few days ago, its summit is a mere 1,344 metres (4,406 ft) above sea level.

The height numbers are slightly deceptive from comparison perspective, though, as here one starts at 50 metres while for many other mountains the starting point is much higher, meaning that at Ben Nevis one has to climb up almost all its height above sea level.

Also, as I dicovered going up Ben Arthur a couple of years ago, the apparent height of Scottish mountains can be deceiving to passers-by going by the foot of the hill. This is because unlike the Himalayas, the Rockies and the Alps which are young-fold mountains and are almost conical, the Grampians are old fold mountains and rarely allow a view of the peak from the foot.

Anyway, enough talk. Down to the action now!

The first half hour was the toughest - with my lungs crying out that they could take no more. Thereafter one gets a bit acclimatized and the rhythm sets in. I suspect that part of it is also that till the time that one can see "home" upon turning around, one's brain thinks it can persuade one to return to base, but once the visual contact is severed, it is psychologically the point of no return.

Since I didn't have the luxury of a whole day of sunlight, and since the skies were getting overcast pretty quickly, I kept going up at a good pace, stopping only to click a photo or two here and there. One of the people I passed by on the way up was really interesting - he looked thin and tired and was making slow progress with his large mountaineers' knapsack. Apparently he was planning to camp in the mountain for the night!

Much faster-moving were the folks climbing down in full mountaineering gear. As we exchanged nods and hellos, a few of them told me about the bad visibility up there. Hmmm...just how bad could it be?

And suddenly, I was at Lochan Meall! While one knows how high above the sea level valleys and lake surfaces can be, it is some experience to climb up a mountain and find a lake up there! It was beautiful there and the clouds relented just about enough to let me click a few pictures.

It was also at that point that I got my first snow. The "snowfall" lasted about 5 minutes along with the gale. I think it wasn't really a snowfall; instead, the strong wind had picked up some of last night's fresh snow from the higher reaches and was depositing it as flakes. In any case, it was so light that by the time I got my backpack off, and took my camera out, most of it had been brushed off my t-shirt by the winds.

Withing 10 minutes or so, there was another strong gale with snow. This one was much colder, faster and longer-lasting. A tiny, little snowstorm, if you will. By the time it subsided, my hair was frozen stiff, which reminded me that I desperately need a haircut. Or a bandana.

Patches of snow started appearing on ground soon after that. I was prepared for this - off came the sport-shoes/sneakers (I don't know the difference), and on the socks went a set of polythene grocery bags before the sneakers went back on.

It seemed like I didn't have much daylight left - the sun had been playing hide and seek for while, showing its face for short and infrequent bursts of time. So maybe it was time for some final pictures before the summit.

The camera refused to work and said the battery was dead. But I had just changed the batteries in Glasgow, fewer than 100 photos ago! My hypothesis, later to be proven correct, was that the alkaline batteries had stopped working due to the cold and would work once again once it got to room temperature.

Before I knew it, I was walking in almost knee-deep snow. My loose-fit denim jeans, that I have overused and abused for almost 2 years, have taken a lot and I was sure they'd take this too.

Additonally, though, it started to get pretty foggy. One can see how one may lose one's way around these parts.

As for me, I followed in on the tracks made by others. It is relatively safe to use the tracks, especially the deeper ones as the snow locks your legs and makes the movement steadier and, dare I say, easier. One should take care while using the shallower tracks on not-so-fresh snow, though. The pressure caused by the body-weight of the person who created the tracks melts a thin layer, which freezes again when the pressure is released, i.e. when the person has moved on. However, this refreezing process yields slippery ice, not nice, powdery snow. So there!

Climbing up, I crossed paths with a kindly-looking man and his teenage son. They never made it to the peak and had decided to turn around as it was cold. Hmm...good point, maybe it's time to get my jacket out from the backpack now, I figured. As for the father-son duo, I think that had I been climbing with my son, I would probably have turned back too, considering how quickly the weather was becoming more and more inclement and the light was getting less and less.

As I kept gaining altitude, the snow started to get harder and slipperier. After a particularly tough portion, I decided I had earned a gulp of water. The water was surprisingly warm - perhaps because in my backpack it was insulated from the outside weather by an insulated vest (see? I went prepared), and an extra pair each of socks and shoes (in case the ones I was wearing got wet and cold). It felt good that I was doing well on the water - of the 3L I was carrying, this was my first sip.

And suddenly I saw it - my notebook computer! Why in the world I took it along for the ride, I still don't know. Here's what I do know though - never ever carry a laptop on a climbing trip, unless you really really really need it. And even if you must, get a light small one. But please never carry a huge 17" one that, combined with the power brick, forms a dead weight of 5kg on your back.

The terrain kept getting tougher, and I kept trudging on till I met the group of five professional mountaineers in impressive gear, the kind that one has only seen in movies like Vertical Limit, probably about a third of a mile from the top.

"You're not getting anywhere in that, mate", said the leader of the pack, presently pointing to my sneakers though I suspect he was referring to the whole of me. He went on to show me his spiked snow-boots, and said that as we were going up, we were leaving behind the easy powder-snow and getting into hard-ice territory, which is why they needed ice-axes and such. Of course, I had noticed that the climb had been getting harder for a while, but the tracks had been helping me along even though they were getting shallower and shallower.

"About time to turn back around, mate", another one chimed.

I turned to have a look down. I was not about to drown after reaching the shore like the gypsy.

"Folks, at this point, I think you'd appreciate that it's harder to go back down than it is to go up. I don't think we're that far away from the top. If you could help me, I'd be very grateful."

They grudgingly accepted, and I happily became a dead weight for them. I was given an end of their rope, and the nice Welsh guy in front of me stomped his steps really hard in order to make good foothold tracks for me.

The top of the mountain is not what one would expect. It's a large, open, almost flat area - quite like a plateau! The visibility was so bad that I could barely see the outline of the Welshman in front of me, though he wasn't more than 3-4 ft away. Thankfully the mountaineers had a map which we followed to find the "summit", which is essentially a point, on the almost flat surface, marked with a few rocks and a sign. Stupid Scottish old-fold mountains!

It would have been nice to have been able to take pictures at the summit, if only just to show how one couldn't see a thing. Woe be unto alkaline battery manufacturers, especially to Duracell.

My mountaineer friends advise me to climb down quickly, at least up to Lochan Meall, as there seemed to be a storm gathering. They themselves were planning to camp for the night by the ruins of the observatory whose walls would provide their tents some cover.

Climbing back down really did prove to be very tough, especially when at one point I lost the tracks. But then, the clouds parted a bit, and I could see the tracks some 20-25 ft to my left, down a slope that led into a cliff. I tried lumbering towards them, but kept slipping and falling. I was losing daylight quickly, so I decided I needed to use the slippery surface to my advantage. I sat down and slid towards the tracks, ready to dig my heels in were I to slide past the tracks - it would be painful to ram my heels again and again on the icy-surface, but the prospect of sliding into the cliff wasn't too appetizing either.

Thankfully, all that concern was dissipated as I made a perfect landing and fixed my foot into a comfortably deep track. Some swift progress, and I was out of the woods (icy snow?) before I knew it.

The jacket came off pretty quickly as it was restricting my movements. Upon reaching Lochan Meall, I took a break and celebrated by ravaging both my granola bars - the first food I had had since the morning. It's good that I climbed on an empty stomach - I was travelling light. It would have been impossible to do on a full stomach.

Further down, I met the father-son duo from earlier, sitting on a boulder sipping coffee.

"Did you make it to the top?"

"No, I turned back", I lied. A father is not just a human being to his children. He's a hero, an idol. He's strong and wise and capable. I'm sure my little lie made both the father and the son feel much better about their trip.

On my way down, I saw 3 black sheep grazing, evidently oblivious to the darkening skies - maybe this is an everyday affair for them. Bemused, I made a bleating sound, and the one closest to me looked up, startled. So I repeated the sound and the confused little thing stopped grazing, looking at his other two companions in turn to see where the source of the sound was. Very amusing. I had had my entertainment for the day.

Once at the bottom, I used the Youth Hostel phone to call a cab which arrived in 10 mts and took me to the bus station. I don't think there is an evening train to London from Fort William. Besides, the trains are pretty expensive compared to the buses.

The timetable said the next bus to Glasgow would leave in about 1 hr 40 mts. A little hungry, I went into the Morrison's store, whose back serves as the bus stop by the way, and bought myself some unhealthy, fried, greasy Indian snacks.

As I was walking out, I realized I was out of cash! I needed cash because I needed to buy the ticket from the driver in the bus - no ticket counters around here.

No problem! I was sure I'd be able to get it from one of the two ATMs outside the store. Neither turned out to be in working order. Hmm...so I walked back in to Morrison's to figure out what cheap stupidity I could waste some money on. And found the perfect one - I like Ice Age and Chicken Run, and Robots was alright, so I bought the £6 triple pack, and got some cashback from the store.

Back at the bus stop, I started to enjoy my cold vegetable pakoras. Arrghhh! Cold! She didn't warm these up. Oh, well! There was no way I was going back in just to get the snacks heated - the trip from the bus stop to the far end of Morrison's is too tiring, you see?

Just after I got done with the food, a girl with a familiar face came over and sat down next to me. Oh, I remembered - I saw her on the train while coming here. So I asked here if she communted from Glasgow, which would have been pretty odd if it were true. No, she told me, she had just come over for a meeting. She was born and brought up in Dublin and works as a project manager for a communications company in Skye. She had had a morning meeting in Glasgow and an afternoon one in Fort William and was looking forward to returning home to Skye. When she had checked a half hour ago, the driver had told her to come back around now, but when she tried getting into the bus just now, she was told to come at 7.

"You do realize that this bus in front of us is going to Glasgow?", I had to say.

"Oh! Oh, that's right! My bus is that one a few stances further down."

"Alright! Have a safe journey."

My bus left punctually at 7.10 pm. Evidently not many people like to travel from here to Glasgow at night. At the Buchanan Bus Station, I was able to find a London-bound bus ready to board. By the time I had breakfast at Dnister Cafe by the Victoria Coach Station, I had slept for a whole 11 hours - throughout the 3 hr journey from Fort William to Glasgow and the 8 hr journey from Glasgow to London.

Nevis, you are a tough little brat, but I beat you!

Click here to check out my pictures from this trip of 27 Feb 2008.

Wednesday, February 20, 2008

There Will Be Boredom

A £10 ticket at Curzon Soho got me into a screening of the much talked-about There Will Be Blood. I came out thinking what a waste of money it was.

Don't get me wrong, this is a mildly interesting movie; I would rather have waited for the DVD though...in fact, I would have waited for the DVD to become available on Amazon for $3.99

The plot about oil and greed in the West is an interesting one, and in some ways contemporary (though the movie is set at the turn of the last century). However, I suspect that the book makes for a far more interesting reading than the film makes for a viewing. That said, I haven't read the book, so take that comment with a grain of salt and don't blame me if you buy the book and it turns out to be as bland.

Here's the problem: As a thriller, it lacks pace. It lacks suprises and twists in the tale. Essentially, it lacks the thrills. As a drama, it lacks drama. And there was absolutely no need for it to be this long (almost 2 hrs 40 mts).

By half-time one starts to wish for the film to get over so one can get out of the hall and do something meaningful. And let me assure you, having watched numerous Bollywood capers, I've sat through really long films.

The high point for me is Eli's payback, when Daniel has to join his church. It's interesting how getting into the fold of religion could feel like a sell-out.

The British press is slating Daniel Day-Lewis as the frontrunner for Best Actor Oscar. I don't know if that's true or if the press is going crazy just because he is a Brit.

Maybe I am too thick in the skull to appreciate fine cinema, but I found his performance more wooden than understated. If rolling about in grime and slick is all there's to acting, then maybe he's the best actor of the year (though I have a feeling that there must be some video of Lindsay Lohan or Paris Hilton mud-wrestling or oil-wrestling somewhere on the Internet). But I suspect there's more to it, and Day-Lewis falls way short of furnishing the menacing quality that the Plainview character demands. He does have a couple of moments in the last third of the film, but those are just flashes in the pan.

Henry Brands is a long way for Kevin O'Connor from The Mummy's Beni. And yet, in his treachery, the character is strangely similar to Beni.

Paul Dano is mostly efficient as Paul/Eli Sunday, though occasionally he does show a jagged edge. As an aside, one can't help but notice a bit of Ed Norton's character from Primal Fear in Eli.

The sound effects are good. But that's what we've come to expect ever since Dolby and DTS were introduced. And there was absolutely no turning back after Saving Private Ryan.

The mining accidents quickly get repetitive and banal.

The background score is jarring on more than one occasion. And not intentionally either.

Maybe this film will end up sweeping the Oscars this year, and maybe it will even go on to become a modern classic, but I came out unimpressed. Wait for the $3.99 DVD on Amazon.

Saturday, January 26, 2008

Happy Birthday India

Happy Birthday, the Constitution of India, anyway!

Enjoy the Vande Mataram video here.

Monday, January 14, 2008

The Soviet Square

The difference between life expectancies of males and females in Russia is almost 15 years. Staggering, isn't it? One of the commonly cited reasons is rampant alcohol abuse - those "just one more glass"'s of vodka or samagon quickly add up, it would seem.

And though mostly no justification is needed for downing another Jurij Dolgoruki, trust the Russians to find more reasons to drink (or as us marketers would put it, "more consumption occasions"). Apparently one day of new year celebrations wasn't enough to get them adequately drunk. Or perhaps, after 3% of the new year is over, the hangover of the booze consumed on new year's eve becomes unbearable. Eitherway, on 13 January, they celebrate the new year again. And since the Russian people had very little experience with alcohol before Christianity was introduced, they pay a tribute to Christianity by celebrating Christmas twice too.

All jokes aside, the lively Russians do celebrate Christmas and New Year twice. After the October Revolution, in 1918 Russia gave up the Julian calendar in favor of the Gregorian calendar by Lenin's decree, moving all dates forward by 13 days. So while Russia celebrates Christmas on 25 December with the rest of the world, the Russian Orthodox Church's official Christmas falls on 7 January and is widely celebrated.

Just as well, since we could all use a little more celebration. Some puritans might argue that it would be absurd to celebrate Christmas (contraction of Christ's Mass) on any day other than on the birthday of Jesus Christ. But the fact is that nobody really knows that date.

The Biblical narrative certainly does not provide any reference to it, just like it doesn't to the number or names of the wise men that followed the Star of Bethlehem. And while historians have pinned down the year of birth to between between 8 BC and 4 BC, they don't seem to be able to make up their minds about the actual date.

Sextus Julius Africanus' Chronographiai circa AD 221 is often credited with popularizing the idea that Christ was born on December 25. In keeping with the Jewish belief that prophets live for an integral number of years, he assumed the traditional date of crucifixion (March 25) to also be the date of the Incarnation and contended that nine months thereafter should be the date of birth or nativity. Some scholars assert that Constantine may have chosen the date of December 25th to celebrate Christmas so as to coincide with the celebration the birth of Mithras, the Persian god of light.

Eitherway, 25 December is hardly the only celebration of "chirst's birthday". For instance, early Eastern European Christians celebrated the birth of Christ as part of Epiphany (January 6), which focused on the baptism of Jesus. Considering that Jesus was baptised in adulthood, this date probably makes more theological sense as it symbolizes spiritual birth. Besides, since technically the date of birth is shrouded in uncertainty, it might appear more rational that this date would be more widely accepted for the celebration.

That said, baptism of an adult does not evoke an emotion nearly in the same vicinity as that evoked by the birth of a child, however devout one might be. I would also speculate that the leadership of the early Christian Churches needed to give their new adopters a winter festival, if not to let them keep their winter festivals.

Winters are a hard time - days are short, there is not too much work that can be done, and yet there is a lot of leisure time at hand though the prolonged darkness makes it unnatural to socialize. Hence, many cultures have a festival of lights in winter, providing the followers a means, an occasion to defy nature's edict for gloom, and to socialize and make merry.

Winter solstice has special consequence in this context. The day after the solstice is the first day in the natural cycle that is longer than the previous day. No surprise then that many cultures celebrate this day for the same reason that the new moon is such a vital motif in Islamic tradition.(1) And a new religion would probably not be very appealing to prospective adopters if it were to take away their one day of joy in the long, cold, dark days of winter.

Conspiracy theorists suggest that perhaps Christmas was created to mirror the Roman Saturnalia, a week long period of lawlessness between December 17-25. According to Greek writer Lucian, Saturnalia was marked by a human sacrifice, widespread intoxication, going from house to house while singing naked, rape and other sexual license, and consuming human-shaped biscuits.

According to these hypotheses, Christianity imported Saturnalia in about 4th century CE to convert pagans by allowing them to continue to celebrate the Saturnalia as Christians. To remedy that there was nothing Christian about Saturnalia, they named Saturnalia’s concluding day, December 25th, to be Jesus’ birthday. However, they didn't focus on changing how the festival was celebrated. According to University of Massachusetts Amherst history professor, Stephen Nissenbaum, “In return for ensuring massive observance of the anniversary of the Savior’s birth by assigning it to this resonant date, the Church for its part tacitly agreed to allow the holiday to be celebrated more or less the way it had always been.” The earliest Christmas holidays were celebrated by drinking, sexual indulgence, singing naked in the streets (a precursor of modern caroling), etc.

While speculating, perhaps it was the adoption of these pagan traditions because of which Origen, one of the most distinguished of the early fathers of the Christian Church, denounced the idea of celebrating Christ's birthday and contended that only sinners, not saints, celebrated their birthdays. In fact, allegedly due to its pagan origins, observance of Christmas was illegal in Massachusetts till as recently as 1681.

But I digress. Back to the Russian Christmas.

I guess the Russian Christmas might well be the reason that some of the Christmas decorations in London streets aren't taken down even after Gregorian Christmastide or the Twelve Days of Christmas despite the superstition that keeping Christmas lights up after the twelve days bodes back luck.

And yes, the Russians do also celebrate the new year again on 13 January. They call it the Old New Year. Oxymoron, you say? Yes, that did come to my notice, but that's not what this post is about.

Come to think of it, though, were the Russians to think of pre-1700 (pre-Gregorian) times, would they also start celebrating the Old Old New Year on 1 September? Psst, my Russian friends....I am giving you an idea, and I haven't even copyrighted it. Just don't forget to invite me to the party!

Anyway, fortunately this year the 13th January was a Sunday. Naturally I was in Trafalgar Square to participate in the London Russian Winter Festival, which has quickly become a tradition withing four years of its existence.

By the time I got to the square, the festivities had already started, and a group of colorfully, majestically clad ladies was performing a folk song-dance sequence. The square was beginning to fill up quickly so I wasted little time, and sneaked my way through the crowd towards the stage, till I reached an acceptable distance (translated: as close to the stage as I could get before the way was completely blocked by revelers).

Slavyanye obviously love what they do. These folk-singers were full of energy and exuded unbridled enthusiasm and good humor on stage. They sang one lilting, uplifting tune after another, and even made several valiant attempts to get the crowd to sing along or dance or wave or do something. Unfortunately, it was noon and the crowd, with notable exceptions of course, hadn't had a sufficient number of vodkas by then to accede to the request. Whatever anyone may think of these girls, I thoroughly enjoyed their gig.

Quick on their heels was Baikal - the Buryat National Ensemble. They showcased Buryat traditional costumes, customs, song and dance, which were exotic and charming. At the back of my mind, I couldn't help but think that their folk music and dance resembled those of some cultures in north-east India to quite some extent.

They were followed by a couple of young celebrity acts by wannabe stars. The first was an irreverent latex-clad concert by a "group" that calls itself the Aqua Aerobics Project. Essentially, it's a lead singer covered from head to toe in pink latex, and some random people doing random things around. All said and done, though, its sound is not bad.

Next on stage was Mark Tishman, the winner of a TV talent contest. He has a decent voice, and seemed to be crowd-pleasing performer. In fact, he got off-stage and into the crowd during the act, and performed his last song from there.

The first top of the class performance of the day came from Kostroma, the Russian National Dance Show. They performed several songs, and in every single one of them they were enchanting, charming, elegant, and, most importantly, inspiring. They were zestful, masterful, and full of good humor. I would have no hesitation in paying to see them perform.

I was also thoroughly impressed by the electric atmosphere and the enthusiasm of the crowd, although I have a sneaking suspicion that the intake of the free booze available at the stalls might have contributed to that in some small way.

It was during Kostroma's performance that little Russian flags were distributed among the audience. These were dutifully waved to soulful renditions of some songs, and the crowd even pitched in with their vocal cords.

Then there was the customary "this event is important" talk by London Mayor Ken Livingstone, Russian Ambassador Yury Fedotov and Russkiy Mir General Director Vyaceslav Nikonov.The highlight, I guess, was that Vasily Vanovoi was present, and chimed in with Pushkin's words: “(Eat, drink and be merry) Delight in the time we have left”.

After the dignitaries got off-stage, stand-up comic Sasha Revva joined the compere, who initially tried to translate his words, but gave up pretty soon. Sasha joked about how many Russians coming to London know only "four" English words - Hello, Bye, Thank you, and Orange juice. While I did not understand most of his jokes (because most of the jokes were in Русский), I could see that this guy was born to be a comedian. No, he is not a physical comic, but his mannerisms betray his profession. He coaxed us to sing "moroz moroz" in what he described as a bid to create the world record for the world's biggest karaoke. Fun stuff!

Next, Sankt Peterburg occupied the stage. Their performance was relatively lackluster - a little off, even though it wasn't bad at all. In any case, I am almost certain that this was not the Sankt Peterburg band that I have heard of. It just was not that band, despite what the organizers would have everyone believe.

The yesteryears' super-group, thereafter-pretty-much-spent-force and recently-reassembled-with-fanfare Zemlanye showed why they ruled the rock scene in their time.

The two girl band KuBa was peppy and I can see why they would be popular among teens.

The Fabrika trio was pretty casual and laid back. Their music sounds chic, and might become pretty popular with a little bit of refinement.

I had to leave shortly before the draw of the day, Dima Bilan, was to take stage. What a bummer!

All in all, a thoroughly enjoyable event. Why can't 52 countries just decide that they'd celebrate new year in different weeks, and then have their festivals in Trafalgar Square during the respective weekends? Hmmm...

Dasvidaniya!

Click here to check out my pictures from Russian Winter Festival in Trafalgar Square of 13 Jan 2008.
P.S. - There are two pages in this album! If you're not running the slideshow, don't forget to check out the second page :-)


1. My hypothesis: Islam spread quickly through Arabic countries and Egypt and became relatively dominant there before most of the rest of the world. A substantial portion of these geographies is covered with desert, and hence outdoor activities, especially travel, are extremely limited during the day. During the night, the moon is a chief source of light and a navigational aid. Thus moon is a vital part of life. And after a dark night, new-moon night is when the light starts growing. Hence the significance of the new moon crescent symbol.

Friday, January 04, 2008

And Life Goes On. Or Does It?

While the website said that they were showing 4 luni, 3 săptămâni şi 2 zile at Curzon Soho from today, it turns out that they aren't after all. So I take the short tube ride on the Picadilly line to the Renoir in Russell Square.

The Renoir, I discover, is a decrepit old place and not in an artsy or charming sort of way. I am just over an hour early so I get the bitter £1.50 freetrade coffee and hang around in the empty "lounge" finishing off some "stuff". When they open the screen 1 hall, there is another surprise - a pillar right in the middle of the hall, meaning the back few rows are practically useless, especially the middle aisle seats.

Patru Luni, my first movie of 2008, more than makes up for all that. It is the story of an extraordinary day in the life of Otilia, a polytechnic student living in a dorm in România of 1987. I have not seen Cristian Mungiu's previous four movies, and judging by this one, I have missed out on some good cinema.

On one hand the movie is fascinating in that it provides a slight glimpse into what it might have been like to live in Ceauşescu's România. While I am normally wary of learning about "other cultures" from movies, the "signs of the times" are a relatively safer pick. For instance, having to carry around an ID card everywhere for everything is an explicit sign. More subtly, the lingering undercurrent of fear and treachery is palpable throughout.

The film is even more captivating in the manner in which Mungiu crafts the movie and eases the audience into the story. The opening sequence, for instance, is just another day in a dorm room with a girl talking to her roommate. But even then, there is this sense of uneasiness in the air, like something is very very wrong.

And that sense persists even as Otilia goes through the ordinary tasks of everyday life like getting bani from cutie de nesc, buying săpun or taking public transport without a ticket.

And then Mungiu chooses his moments to hit you in the face with what's going down. For instance, the deal proposed by Bebe, the man who assists Otilia's roommate Gabita have an illegal abortion, comes as a shock relatively quick on the heels of the revelation that the abortion is the big highlight of the day. But while you are still reeling from that, it is his nonchalant (dare I say "professional") manner after the fact that is really unsettling.

Of course, this is not a movie about abortion. It is about the "life and times"; it is about despair and coping. And it surely packs loads of grit and realism.

The table-talk at Adi's home sounds so very real too - it's the things that regular people would talk about. For instance discussion about the "posting" of educated people in the country, or jokes about being turned in for going to church. By the priest.

There is also the quintessential generational quabble: "It's proper that a girl should not drink", "A girl like you, smoking in front of her boyfriend's parents (shrug & head shake)"

The light table-talk aside, Patru Luni is dark and gritty, and almost as emotionally draining as Oldboy.

What sets Patru Luni apart is how Mungiu uses lighting and sounds and pauses and banality to connect his audience to Otilia. Sitting there, one can actually feel her helplessness, disgust, confusion, angst, and dread. Sometimes separately, and sometimes all together. It's there in the uneasy silence in the hotel room. It's there in the dark alleys and railway bridges at night. And it's there in the relationship talk in Adi's room. In fact, it is pervasive.

In some strange way, perhaps in how it makes you uncomfortable on occasion, Patru Luni reminds one of Ôdishon. But more importantly, due to the "life goes on" theme, it is reminiscent of Volver. That said, the gloomily-textured Patru Luni is far superior to the brightly-colored Volver, despite whatever contrasts Pedro Almodóvar may have intended to invoke.

Anamaria Marinca is truly a director's actress; she is excellent as Otilia. She has tremendous potential and is destined for big things. It's a shame that she's wasted in a minor role in Youth Without Youth. Laura Vasiliu and Vlad Ivanov provide her efficient support as Gabriela/Gabita "Dragut" and Viarel Bebe respectively.

Now for the trivia: It was interesting that Otilia says "No not an even number" to buying 48 flowers for her boyfriend Adi's mother because someone just recently told me that even numbers are considered bad luck in România. One also gets an inkling of how români speak of Bucureşti and România as mutually exclusive entities, as I discovered during my visit.

Speaking of the strange things one notices, there is prominent mention of Unilever brands like Lux and Rexona that are megabrands in India, but are hardly even seen on supermarket shelves in western Europe or America (except Rexona deo, perhaps).

As you might have guessed, my final verdict is that this is a must-see movie. Of course, steer clear of it when you want to be cheered up.

Saturday, December 29, 2007

Neelkanth - the azure throated

I need no well nor star, for
I've met my draught's rain
Life is not so short that
I won't get to see her again

Her thoughts make me smile
When I talk to her, I soar
World's not as it used to be
Things've changed for sure

And where they are worse
they belong on my score
She's just the way she was
But I'm not myself anymore

Like Icarus I soared high
The warnings I did not heed
And now I wish what I wish
would be the same as she'd

Just like you, O Neelkanth,
I've drunk from life's moat
the most potent of venoms
and I hold it in my throat

Thursday, December 27, 2007

Another one bites the dust

Ghayal (Wounded) released in 1990 is undoubtedly one of the best action movies to have ever come out of Bollywood. Raj Kumar Santoshi's directorial debut was also arguably his biggest commercial success and delivered a national award for actor Sunny Deol.

Santoshi and Deol have always been very candid about the fact that the film drew some inspiration from Stallone's First Blood. If fact, they have been reported to admit that when Santoshi took the script to Sunny Deol, he said he'd focus on how to make it different from the said Stallone movie. That said, I have to admit that the end product is very different from the inspiration.

What has been less widely reported is blatant plagiarism in the music department. The happy-go-lucky family song Sochna Kya Jo Bhi Hoga Dekha Jayega (Don't worry about tomorrow, We'll meet it when it comes) is clearly a lift-off from the French group Kaoma's 1989 megahit Lambada, which spawned the Lambada dancing craze of the 90s.

Things like this can shake up your entire belief system. You see, in my earlier, "ignorance is bliss" days, I would have classified "Sochna Kya" as a typical "Indian sound". Oh, well! You live, you learn.

If you, like me, have been living under a rock for all these years, you can listen to Lambada right here:

3 mts 22 secs


Click on the image above, and then click on play button once it becomes available.

Tuesday, December 25, 2007

Night and Day

When the evening sun sinks
into a river of liquid gold
When sky dons a dark robe
with starry jewellery bold

When Venus looks down at me
and gives me a knowing smile
From that moment till dawn
when sun's reborn on the isle

I think of you, long for you
till sleep exacts its regime
Then I sleep knowing I will
see you again in my dream

I dream that I am the sunshine
that caresses your face fair
I dream I'm the wind that runs
its fingers through your hair

Sometimes I am your mirror
that gets to see you everyday
I am also the sweet fragrance
on your body that you spray

And I dream I am the watch
that forever holds your hand
The joke that makes you laugh
And your sojourn unplanned

I'm the rose you kiss, I am
everything you call your own
And whispering into your ear
why yes, I am your telephone

From the moment the sun rises
and birds of dawn start to crow
Till moon takes over the sky
and a defeated sun takes a bow

All the strands of my thoughts
begin with you, they end in you
You're in meads, you're in snow
And you're in the pearls of dew

You're in mountains, in forests
In rain and in clear blue skies
I find you are wherever I go
After all, you are in my eyes

You're the air I breathe to live,
And the blood flowing in my veins
I'm free to fly like pegasus but
are there any stronger chains?

Distances wouldn't keep us apart
were I the moon or wind, if only!
And my heart asks how is it that
you live in it, yet it's lonely

The mere thought of you smiling
purifies this world of guile
Yes, all my smiles are yours
Yes, I need your lips to smile

Friday, December 14, 2007

A Wonderful World

Tomorrow the sun will rise again
And again the rooster will crow
The birds will sing from trees
Much to admire, love n' explore

Flowers will smile brightly
with faces red, yellow, blue
Mountains will stand proudly
Clear rivers going through

A farmer will wake up early
He has a large field to plough
This harvest will pay his loan,
and as a free man he'll glow

And if it turns out that
Zeus strikes lightning arrows
He knows, after every rain
there will soon be a rainbow

Little Jenny bought ski boots
She's hoping that it'll snow
so that she won't have school
and ski down to the chateau

Workers will rush to their jobs
There'll be traffic on the road
Children will laugh, play, learn
Little Polly will kiss a toad

A scientist will start over as
luck yet again shows caprice
Earth itself will hold still as
an artist finishes a masterpiece

One man will fall in love
Higher than eagles he'll soar
Another will be heartbroken
and in grave pain to the core

One man will give up drinking
Another'll pick it with a sigh
A president will declare a war
And two lovers will bid goodbye

And when sky wears a necklace
of stars and people get home
Cows will return to the barns
Grass'll lie down on the loam

A poet will dip his pen into
his heart and bare his soul
A gypsy will sing of life-death
Others around him on the knoll

Families will gather round too
Together they'll eat and laugh
Ma will grin with satisfaction
Children will be a little chaff

Little Mary will refuse to eat
She'll say she hates broccoli
But as her father picks her up
On his lap, she'll eat slowly

Witches, dwarves and princes
will lull children to sleep
Their mothers will stop by
to watch their faces sweet

Couples'll argue 'bout things
too silly to really comprehend
Then in bed they'll make up,
say sorry, promise to make amends

It will be a wonderful world
tomorrow right outside my door
Just the same as it is today
Only I won't be in it anymore

Tuesday, December 11, 2007

My Conversations With God

As per my usual practice of walking by the Thames in the wee hours, today I was out there around 3 am. Upon reaching the Cadogan Pier by the Albert Bridge I stopped. This is the point from where I usually turn back to go home.

There had been a few things on my mind while walking down here, and I decided to seek inspiration from the Supreme Being. I said, within my mind, "God!" and looked up.

And, there it was: the sign. I kid you not, there was a large white cloud, clear against the night sky, in the shape of a hand giving the finger. Not the peculiar British two finger thing, but the American and almost universally communicable middle finger sign.

Now that, my friends, is a surefire conversation killer. Especially if one is trying to talk to one's creator.